Harlem Renaissance By Nathan Irvin Huggins Analysis Essay Example For Students

Harlem Renaissance By Nathan Irvin Huggins Analysis Essay Book Review of The Harlem Renaissance by Antonio Raglans 4/25/2010 In the book entitled Harlem Renaissance by Nathan Irvin Huggins a story is told about the time period before World War I and the following years in which a Black Metropolis was created unlike the world had ever seen. It was the largest and by far the most important black community in the world. It brought together black intellectuals from all over the world to this new Black Mecca with dreams of prosperity and change. Their common goal was the prosperity of the New Negro as Lain Locke called them. This New Negro was one that was cultured, educated, artistic, and would bring prosperity to the African-American. All these were the promises of the Harlem Renaissance. I think that his thesis was in the opening sentence when he talks about Harlem. When people saw Harlem, they saw opportunity, they saw a place where they could escape and enjoy artistic freedom. They saw liberation, they saw hope, they saw a place where confidence was in abundance. That confidence translated to the belief that reform could be attained. Sadly, Nathan Irvin Huggins points out that all they were was deceived by their dream. They all saw in Harlem much more than what was really there. A common life was that they could use their talents as a way of bridging the gap between the races. Unfortunately racism has been so deep rooted in the white American psyche that it would take more than the New Negro proving he had artistic talent to be accepted as one and the same. Huggins also cites that their art was compromised by the fact that it was intended for white patrons and was not a full reflection of them. Another mistake they made was not organizing a grass roots movement. The black political leaders failed to become a unified voting force and were unable to obtain true political power needed to bring about change. Huggins writes about how the motivation of many talented Afro-Americans relocation to Harlem was simple; they wanted to be where their talents would reach the most people. They wanted to be in a place where their talents could be cultivated. They saw inspiration in their people and they wanted to be where their talents would be appreciated. They came to find themselves through their race in Harlem. Upon their arrival in Harlem, Huggins points out that many artists like Longboats Hughes, Zorn Neal Hurst, and Claude McKay found new friends who were willing to lend a helping hand in their careers. The fact that all of these new helping hands were all white may have influenced the artistic integrity of their work. Huggins wrote Without the help and friendship of white men and publishers, there probably would have encouragement probably prevented those few men and women of real talent from wrestling with their senses and plodding through to those statements which the thrust of their lives and experience could force them to make (129). Huggins goes on to mention that Black artist found it difficult if not impossible to maintain their artistic integrity because they were dependent on their white patron. They had no Orca or leverage in publishing houses other than the demand of their white patrons. If they were to create something to critical they would run the risk of losing the white patrons as well as the white benefactors. Huggins backs his observation with the story of the Park Avenue Matron that at one time supported Zorn Neal Hurst, Louise Thompson, and Longboats Hughes. HN World History Ch. 10 The Renaissance and ReformationAs he put it, it did not matter the scathing criticism leaders like W. E. B. Dubos made in their editorials on black injustices it would not bring about any serious change. Unlike child labor and other topics of muckraking exposing them would not be enough to eradicate them. Huggins effectively proved to me that these white benefactors and white patrons influenced the work of black artist. Who knows what tone their works would have taken if they where liberated from white influences. Maybe they would have been razor sharp criticism like W. E. B. Dubos editorials. Unfortunately no one would ever know. As far as their failed attempt at reform he showed some of the mistakes they made but also mentioned that they laid the foundation for a civil rights movement that eventually brought about social change that these Harlem intellectuals promised. In a book review from Amazon. Com a reviewer mention that: More than any other period, it was during the Harlem renaissance in which the black community came of age culturally and came together as one united front against racism using cultural tools and its intellectual power and substance on par tit its white counterparts. Against all odds, they created a cultural oasis right in the middle of a sea of white hatred and racial recrimination. This flowering was something that was not only unexpected and shocking to the sensibilities of most whites, but shocking also to many blacks outside of New York, around the countryside. And although the flowering occurred across the board, its clearest expression took place in literature, art and music, which itself later was to become Americas transformation art form. American History_ found that Huggins book was disarmingly simple and exceedingly omelet. Solar went on explaining that the Harlem Renaissance was a Negro self- creation, and it was created in a place(Harlem) of sense and had become an urban Mecca where diversity, talent and energy would change the black persona. One last review that I found on ASTOR from Charles Davis of _American Literature_ stated that Huggins book was not the first full study assessment of black artists and of their intellectual an d cultural efforts in the decade following the first World War. Of course Huggins can not provide a full assessment during that time period which old confuse readers if you look at it from that point of view. I think that the first two reviews are in line with what I have been discussing through the whole review. During that era, African-Americans were struggling for freedom in the middle of a land full of hatred and racism. African-Americans wanted more freedom and it expressing it in various of categories such as art or music really helped freedom for blacks in todays society. The Authors sources are documented correctly. Book Review Huggins, Irvin, Nathan. Harlem Renaissance: Oxford University Press, New York, 1971